Tribes themselves
formed in early 2010 posting numerous singles free to download via their
MySpace and released their debut LP in January 2012. This was shortly followed
by the announcement of their big break in supporting Azealia Banks, Metronomy
and Two Door Cinema Club on the NME Awards Tour 2012.
The album itself is a
passionate teen-grunge collective of nostalgic 90's reminiscent guitar solos
alongside the band's hazy nonchalant exterior consisting of hacked off
'thrift-store' t-shirts and unruly black locks sported by band members and fans
alike.
Initial track
'Whenever' followed by 'We Were Children' soundtracks the idea of teenage
rebellion and youth, their sound again strikingly similar to their musical
influences with guitars featuring significantly, back dropped by Lloyd's heavy
vocals evoking aggressive passionate memories of juvenile angst. Track
'Sappho's lyrics almost mimic that of The Kinks 'Lola' telling of a
transvestite and drunken consequences, the music video seeing Lloyd and his
fellow band mates donning similar attire.
The idea of loss of
childhood prevails throughout with 'Himalaya' boasting Turner-esque vocals and
melody until optimism is stunted at 'Nightdriving', a song they first released
online in early 2011 in memory of Charlie Haddon formerly of Ou Est La Swimming
Pool who passed away at a young age whilst performing at the Belgian music
festival ‘Pukklepop’.
Clearly Charlie's
untimely passing struck a chord with Tribes as this mournful contemplative
track serves as a chilling reminder to the fragility of life, though
unparralled to earlier recordings of the song as the album version somewhat
glosses over the raw emotion conveyed in the early vocal.
'Nightdriving' here
sees Lloyd adopt a semi-philosophical nature questioning religion and life
again continuing the theme of youth due to the inquisitive nature of young
people. This solemn air is then curiously pierced by 'When My Day Comes' a
driven yet formulaic song telling of youthful positivity and ignorance with
memorable empowering chorus and similarly guitar driven. Another influence is
made apparent in 'Alone Or With Friends' as the band embrace a slower tempo and
a more stripped back production initially opting for acoustic guitar and
synthesized vocals suggestive of some late Beatles work and acting as an
uplifting reminder to their eclectic musical repertoire and ability.
Having witnessed
Tribes' gradual rise to mainstream radio play their work seems to have
progressed significantly to a more unpretentious, matured and defined sound
contrasting their earlier performances which possessed a slight flared
arrogance (having myself attended one of their gigs in late 2010 whilst they
were supporting Mystery Jets) they seem more secure in their genre as their
album assembles a glorious array of their musical capability.
So for anyone who's a
fan of rousing lyrics delivered in a flurry of electric guitar and impressionable
teenage passion then Tribes are definitely one to watch. 7.5/10
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