Showing posts with label gig. Show all posts
Showing posts with label gig. Show all posts

Sunday, 6 April 2014

Fierce Newcomers: The Lion

Duo Leo Braukmann Pugsley and Callum White

Forming but five months ago, forged deep in the Devonian wilds, Blues-Rock duo 'The Lion' are slowly but surely working their way up through the ranks. Drawing inspiration from the likes of Drenge and The White Stripes the two took a minute before their gig at Exeter's Phoenix Arts Centre to bask in the blazing Exeter sunshine and consolidate their rising success.

So how long have you been together?

Leo: We were in another band before with a friend. We had loads of names, but it never really kicked off. It was difficult so we ended up cutting it down and he wanted to go own way anyway and we kept it just simple, two piece, rock n roll.

How do you find the two-piece works in terms of dynamics, is it right for you?

Leo: it's good because when we play together live,it's just two of us and we can just sort of go with it. The energy's there, even though there's not a lot of texture and things it's fun and it means we can do a lot with our live performance. When we're live it means then we go out there we just make the performance as good as we can.
Callum: we only rely on each other. There's no one else to rely on it's just TWO. It's a lot easier.

With the rise of two piece bands such as Drenge, would you say that they had an influence on you at all?

Leo: Oh definitely a lot yeah! We've seen them, they came to our local venue and we do have a lot of influence from bands like the White Stripes, a little bit of early Black Keys, just all that kinda vibe. Blues/Rock influence, Garage/Rock Guitar sort of stuff.

How would you categorise your sound then?

Leo: Blues? Rock, Garage, Rock n Roll. Something like that, it's a hybrid infusion.


Where do you see yourselves going from this gig? Do you have high aspirations?

Callum: FUCK YES.
Leo: (more tentatively) We'd love to hit it big time, definitely. We'd sell out in a heartbeat. We wanna go to the top. Next year we're going separate ways but I see the band staying together and we'll keep gigging. It's good for us, it's promotion and experience and an opportunity to get in with the local bands.

Do you think there is a specific Exeter scene then?

Leo: There is an Exeter scene, yeah but it's a bit.. shit. We're just breaking into it really but there are also some really good bands in Exeter. We like 'The Big V', they're quite big I mean they're playing gigs in London and stuff. I saw they were playing one the other week in London, not that that means it's a huge venue but I think two of the members actually live there. There's a lot of bands who are around who are popular but we think are shit. But I won't name any names.

Obviously you've got this gig tonight, any other upcoming gigs where people can catch you?

Leo: Yeah we're playing on Friday 18th April at Tobacco House on the Quay which is like a new up and coming venue. There's quite a lot going on down there and there's a festival down there as well in May which we're playing at with loads of other local bands so that'll be good for us.

Do you find it easier to write lyrics of music first? Or do they come relatively together?

Callum: It changes every time really, though the lyrics usually come first.

What have you two been listening to recently?

Leo: Who was it who performed on Letterman recently? Future Islands, they're like a synth-pop group. Man that performance was so good, you seen it? The guys is there literally fully going for it and turns into a goblin, it's fucking sound. They're like 40 or something?
Callum: to be fair,  there's a group from Ireland playing at the moment called The Strypes?
Leo: Oh god, not the young guys?
Calum: I think fair play to them I think they're pretty good for their age.
Leo: The Rolling Stones did a gig for their 50th Anniversary and they thought: 'ooooh let's ride on that wave!'. They're definitely doing well I mean they're great musicians and they're so young so good for them. I shouldn't be jealous really, but, I am.
Callum: I dunno, I haven't listened to them but I've definitely checked them out.

And finally, the age old conundrum; (as answered by the fabled James Bagshaw himself) B-ow-ie or B-oh-ie?

Leo: B-OH-IE! EVERY SINGLE TIME B-OH-IE! and he's a big influence as well
Callum: oh no. I used to say B-ow-ie. Should I say B-ow-ie? I'll say B-ow-ie for you.




The Lion perform at The Old Tobacco House on Friday 18th April and Off Quay Festival from 25th-26th May.




For fail-safe groovin' and musical enrichment, click on over to:

https://soundcloud.com/thelionmusic

for more details look below at:
facebook: https://www.facebook.com/thelionmusic?fref=ts
https://www.facebook.com/events/137463743090513/
https://www.facebook.com/events/603878036353119/?ref=22

Thursday, 20 March 2014

Bombay Bicycle Club at Exeter Uni’s Great Hall 17/03/14

Drawing the predictable melange of charity shop jumpers and Doc Martens, Bombay Bicycle Club took centre stage at the Great Hall playing a sold out set in the halfway leg of their UK tour. 
Swept there on a compelling tide of nostalgia and elated on expectations of £23 tickets, that were needless to say; high.
The band have received heady mainstream success from album number four ‘So Long, See You Tomorrow’ with singles such as ‘Luna’ gracing the airwaves of the daytime Radio One playlist. 
The set was a notch up in professionalism from the 2010 post ‘had the blues’ relative underground status, they’re big boys now. Support act ‘Flyte’ seemed reminiscent of a mediocre Mystery Jets minus the 80s hype, though pleasantly harmonious. 
This was soon followed by Rae (‘The Hair’) Morris, a radiant songstress who sat, somewhat subdued, at the keyboard whispering delicate vocals. A poignant affair, songs such as current single ‘Skin’ were beautifully executed. 
Bombay were confidently commanding with spirits soon became frenzied by the very presence of the quartet. The Indie introvert pin-up boy Steadman was brilliant as ever, despite the vivaciousness of early tracks such as ‘How Can You Swallow so Much Sleep?’ and ‘Always Like this’ possibly subtracting from the sincerity of  ‘Eyes Off You’ with vocals slightly lapsing. 
Use of mesmerising graphics projected onto circular screens were stunningly implemented, the Asian-fusion undertone to tracks such as ‘Feel’ seeing a gang of artsy cobras grace the background to which guitarist Jamie Maccoll exclaimed ‘RELEASE THE SNAKES!’ to much effect. 
‘Luna’ also saw a Disclosure- esque mockery of the band’s ‘interative’ online video with rotating silhouettes of Steadman and accomplices. 
A ‘Flaws’less performance that secured crowd pleasing old ‘Evening/Morning’, ‘Shuffle’ ‘Light Out, Words Gone’ with an encore of the sublime ‘What If’ and ‘Carry Me’ it was triumphant effort from a band who have certainly secured themselves as seminal figures in the alternative





Photo credit to the delightful Molly Hayden
also published at: http://www.theexeterdaily.co.uk/news/entertainment-reviews/bombay-bicycle-club-review